Written in 1792, The Slave’s Lament is Robert Burns’ only work that communicated the appalling realities of the transatlantic slave trade. Despite being more than 200 years old, the song brings the social, political and human tragedies of today into sharp focus. Performed by the Scottish Ensemble and reggae singer Ghetto Priest, artist Graham Fagen’s contemporary interpretation connects Scottish and Caribbean history through these seemingly disparate musical cultures. Presented across four screens, the result is both haunting and melancholy, yet common ground is found between Burns’ verse and Jamaican reggae.
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